- Conn serial numbers horn professional#
- Conn serial numbers horn series#
- Conn serial numbers horn mac#
They generally have a broader larger sound as opposed to a narrow more focused sound. The American horns have a different bore shape and size, and sometimes a larger bell. Selmers being the predominant French-made horn, and Kings, Conns and Martins being American. There is a pronounced difference between “American” style horns and “French” horns. Artists such as Glenn Wilson and Tim Price have played them. There are many great lesser known horns out there as well, low Bb Bueschers are beautiful horns and Couf (made by Keilwerth) produced good baritones in the ’70s. King saxophones generally are a bit brighter and years ago were the standard among “rock” saxophonists in the early days. King Baritones are relatively cheap as well and sound very nice. They can be heavy due to their soldered tone holes and construction.
An excellent choice for someone looking for a nice older horn without the outrageous price tag. Martin Baritones are relatively cheap, well made and sound pretty good. There are some very decent Bueshcer horns for great prices out there too. Over the years and through many mergers and buyouts Selmer and Conn are now one company.
Conn serial numbers horn mac#
However a few to check out: Selmer, Yanigasawa, Yamaha, P Mauriat, Cannonball, MAC Sax, the list goes on.įor vintage horns there are 4 common major brands to consider: Conn, King, Selmer and Martin, with Conn and Selmer leading the pack. I won’t even attempt to list all of the companies now manufacturing new baritones as there are new ones seemingly all the time. Less unique, and less chance of finding that one horn that really stands out and speaks!.Fewer model options for each brand than altos or tenors.Most modern saxophones’ inside dimensions are modeled after Selmer’s so fans of the Vintage Conn/King/Martin sound will be at a loss. Much harder to find models without a Low A.Poorer craftsmanship - can’t be helped, as it is simply not cost effective or even possible to hand-craft horns anymore.
Although with the new resurgence of modern horn manufacturing, I have great optimism that newer horns will continue to improve. The Sound! this is debatable, but I firmly believe the newer horns’ sounds are often thinner and never as rich as most older horns.… and there are definitely some downsides to a new horn: More consistent from one horn to the next.Intonation is likely to be more accurate, and smoother keywork.Much brighter sound in general - subject to brand and model.Almost all new horns are made with Low A’s - often encouraged by band directors, used in rock bands, and marching bands/.They’ll be cleaner, and look “nicer” (although some new horns also offer a sort of “vintage” look, if you prefer that).Won’t need repair work as often - parts will be much easier to replace.UPDATE: Check out our review of the hand made Italian Rampone Cazzani horn! There are some upsides to a new horn: That being said there are a huge number of new horn manufacturers starting up shop, it is my hope that with time, practice and research the new horns produced will someday rival any made before.
Conn serial numbers horn professional#
There simply is not a large enough market for professional quality baritones to justify producing great horns. And perhaps the companies aren’t to be blamed. There may be good new horns out there today, but the majority are not great and they certainly don’t compare to those of yesteryear. Borgani makes great horns, but their baritone has been “coming soon” for about 5 years now.
Conn serial numbers horn series#
Selmer has been constantly behind in their baritone models since at least the ’70s - there was no Mark VII produced because they were so behind they eventually just started putting out the new model as Series I’s. They are far too often neglected or not even produced at all by newer companies. This is especially true of the baritones. In this author’s opinion, the new horns today are not up to snuff compared to older ones. It doesn’t matter if you are playing a lead pipe with popsicle stick on the end of it, as long as it sounds and feels good to you. How a horn sounds and if it works for you. Everything I’ve said here is based on my experience playing, practicing, researching and talking to other musicians about these horns, but there are obviously going to be exceptions. I have no stake in your eventual decision to buy an instrument, and the only thing I have to give is my opinion. The following are the factors that I consider the most important, and my thoughts concerning each one. When looking for a baritone saxophone there are a huge number of factors to consider.
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